论刘震云小说的延津叙事——以《一句顶一万句》《一日三秋》为例  

On Yanjin Narration in LIU Zhenyun′s Novels—Taking Someone to Talk to and Three Autumns in a Single Day as examples

作　　者：周菠 ZHOU Bo(Institute of Chinese Literature,Southwest University,Chongqing 400715,China)

机构地区：[1]西南大学中国新诗研究所,重庆400715

出　　处：《洛阳理工学院学报(社会科学版)》2025年第2期75-80,共6页Journal of Luoyang Institute of Science and Technology:Social Science Edition

摘　　要：《一句顶一万句》《一日三秋》属于刘震云“一”系列文学范畴,在其小说创作生涯中具有代表性意义。刘震云从地域文化空间视角出发,在延津铺展民间性质的语言文化图卷,通过书写民间人物曲折的生命体验来构造同质化的生存模式,探索人与地域之间产生的精神向度。刘震云还在延津地域空间建立世俗化的民间秩序,将世情经验融入延津语言的实践,刻画民间人物命运的荒诞性与现实性,力图在小说中呈现延津叙事的多元特征。Someone to Talk to and Three Autumns in a Single Day belong to LIU Zhenyun′s"one"series literature category,with typical significance in his novel writing career.From the perspective of regional cultural space,LIU Zhenyun spreads a folk language and a culture map of Yanjin,constructs a homogenized survival mode by writing about the life experience of folk characters,and explores the hometown spirit generated between people and regions.In addition,LIU Zhenyun also establishes a secularized folk order in Yanjin region,integrates the worldly experience into the practice of Yanjin language and portrays the absurdity and reality of the fate of the tragic subjects,trying to present the multiple characteristics of Yanjin narrative in the two novels.

关 键 词：刘震云 《一句顶一万句》 《一日三秋》 延津叙事 语言实践 

分 类 号：I207.425[文学—中国文学]