自愈之解剖——戈雅《萨图恩食子》中隐喻形象之探析  

The Anatomy of Self-healing——An Analysis of Metaphorical Images in Goya's Saturn Devouring His Son

作　　者：杜政鸿 DU Zhenghong(College of Liberal Arts,Jiangsu Normal University,Xuzhou 221000,China)

机构地区：[1]江苏师范大学文学院,江苏徐州221000

出　　处：《青岛农业大学学报(社会科学版)》2025年第1期134-140,共7页Journal of Qingdao Agricultural University(Social Science)

基　　金：2024年江苏师范大学研究生科研创新计划项目“当代艺术中‘物’之诱惑研究”(2024XKT1929)。

摘　　要：《萨图恩食子》是西班牙画家戈雅在其创作生涯后期“黑画”风格中的代表作之一,呈现了第二代神王萨图恩吞食自己孩子的恐怖场面。作品画面黑色的基调奠定了整幅作品恐怖惊悚的氛围,将萨图恩这一可怖形象暴露无遗,但其中的形象含义以及戈雅所表达情感状态的研究众说纷纭。本文以概念隐喻理论入手,从戈雅的经历以及思想过程探究《萨图恩食子》这幅“黑画”风格的代表作品中的隐喻形象。文中所用概念隐喻理论非修辞方式的表达,而是结合戈雅的艺术创作思想,形成的一种思维方式和认知手段,以政治隐喻、爱欲隐喻来阐释戈雅的创作思想,探析作品中的隐喻形象。Saturn Devouring His Son is one of the masterpieces of the"black paintings"style of the Spanish painter Goya in the late period of his creative career.The painting presents the horror scene of the second generation of God King Saturn devouring his own son.The black tone of the paintings lays down the scary atmosphere of the whole work,exposing the terrifying image of Saturn.However,there are different views on the meaning of the image and the emotional state expressed by Goya.Based on the theory of conceptual metaphor,this paper probes into the metaphorical image in the painting from Goya's experience and thought process.The conceptual metaphor theory used in this paper is not a rhetorical expression,but a mode of thinking and cognitive means based on Goya's artistic creation thoughts.It interprets Goya's creative thoughts with political metaphors and erotic metaphors,and explores the metaphorical images in his works.

关 键 词：戈雅 《萨图恩食子》 萨图恩 概念隐喻 

分 类 号：J0[艺术—艺术理论]