中国传统戏剧俄译与传播研究  

A Study on the Russian Translation and Dissemination of Traditional Chinese Theater

作　　者：陈铭 赵春晶[1] Chen Ming;Zhao Chunjing

机构地区：[1]中央民族大学

出　　处：《中国俄语教学》2025年第1期66-75,共10页Russian in China

基　　金：中央民族大学青年教师科研能力提升计划“中国传统戏剧在俄罗斯的传播研究”(2023KYQD14);中央民族大学2023年度课程思政教学团队建设项目(104-0220050311)的阶段性成果。

摘　　要：中国传统戏剧在俄罗斯的译介与传播已有两百余年的历史,最早可追溯至18世纪中叶,始于俄国贵族阶层和传教士对戏曲剧本的翻译和戏曲文化的介绍。20世纪30年代和50年代在苏联掀起过两轮传播热潮。在中苏关系遇冷的60至80年代,苏联学界注重翻译和研究中国古典戏曲的学术传统得以延续。苏联解体后,中俄戏剧交流逐渐恢复并活跃起来。进入21世纪,中国传统戏剧的对俄传播开始呈现多元化趋势。本文从译介研究、舞台演出、融合互鉴三个方面梳理中国传统戏剧俄译与传播的历史脉络,旨在客观认识传播全貌与接受情况,为推动中国传统戏剧的跨文化传播、促进中俄戏剧艺术的交流互鉴提供思路。The translation and dissemination of traditional Chinese theater in Russia spans over two centuries. It can be traced back to the middle of the 18th century and began with the translation of scripts and the introduction of theater culture by the Russian nobility and missionaries. In the 1930s and 1950s,the Soviet Union witnessed two significant waves of enthusiasm for traditional Chinese theater. During the cooling of SinoSoviet relations(1960s-1980s), Soviet academia maintained its tradition of translating and researching classical Chinese theater.After the dissolution of the Soviet Union, Sino-Russian theatrical exchanges gradually revived and became more active. In the 21st century, the dissemination of traditional Chinese theater in Russia has begun to take on a diversified trend. This paper systematically examines the historical trajectory of Russian translation and dissemination of traditional Chinese theater through three aspects: translation and scholarly research, stage performances,cross-cultural integration and innovation. It aims to objectively understand the whole picture and reception of its dissemination,and provide insights for advancing the intercultural dissemination of traditional Chinese theater in Russia and fostering deeper theatrical exchanges and reciprocal inspiration between China and Russia.

关 键 词：中国传统戏剧 俄罗斯 译介 传播 

分 类 号：H35[语言文字—俄语]