边缘之外与艺术的力量——以纪录片《在美丽与疯狂之间》为考察中心  

Beyond the Edge and the Power of Art—Centered on the Documentary Film Between Beauty and Insanity

作　　者：韦肖梅 向丽[1] Xiaomei WEI;Li XIANG(Yunnan University)

机构地区：[1]云南大学文学院

出　　处：《马克思主义美学研究》2024年第2期309-329,406,共22页Research on Marxist Aesthetics

基　　金：中国文学艺术基金会、中国文学艺术发展专项基金资助;国家社科基金重点项目“审美人类学视野中马克思主义美学的当代发展研究”(19AZW004)阶段性成果

摘　　要：纪录片《在美丽与疯狂之间》以普林茨霍恩对“局外人艺术”的收藏作为线索,展演出了一部撼人心魄的“艺术疗愈史前史”。精神病人艺术家因内心的眩惑爆发的心象蒙太奇,形构出一种疯狂而美丽的边缘经验,并以此重新自我整饬并重建与世界的关联。这召唤着我们放下理性的倨傲,悬置任何概念与主义,重新“看见”并“走近”此种殊异的审美经验,从而用生命的直觉去把捉和接衍艺术的本真性力量。在局外,疯狂被从原有的秩序中剥离出来,继而被迫发酵,而收藏作为革命的策源地,提供了重看心象世界之可能性,并借由艺术对这个世界的表征与修补,使历史的侧面和褶皱重新展露出来。The documentary film Between Beauty and Insanity takes Prinzhorn's collection of“Outsider Art”as a clue to present a stirring“prehistory of art therapy”.The mentally ill art⁃ist uses a montage of mental image and implosion with vertigo to construct a crazy and beauti⁃ful marginal experience,and in this way,reorganizes himself and reconstructs his connection with the world.This calls us to let go of the arrogance of reason,to suspend any concepts and isms,and to“see”and“approach”this special aesthetic experience again,so as to grasp and develop the true power of art with the intuition of life.Outside,madness is stripped from the original order and then forced to ferment,and the collection,as the source of the revolution,offers the possibility of revisiting the world of mental images,and through the representation and repair of this world by art,the aspects and folds of history are re⁃revealed.

关 键 词：《在美丽与疯狂之间》 局外人艺术 疯狂 心象 “美丽新世界” 

分 类 号：J952[艺术—电影电视艺术]