革命理想与都市幻象交融的历史图景——海派文化语境下中国左翼音乐的生成  

The Historical Prospect of Revolutionary Ideals and Urban Fantasy:the New Discussion on the Origin of Chinese Left⁃wing Music

作　　者：黄敏学 Minxue HUANG(Shaoxing University)

机构地区：[1]绍兴文理学院艺术学院

出　　处：《马克思主义美学研究》2024年第2期139-152,400,共15页Research on Marxist Aesthetics

基　　金：中国文学艺术基金会、中国文学艺术发展专项基金资助;国家社科基金重大项目“马克思主义中国化视域下的‘左联’文论及其资料整理与研究”(22&ZD281)阶段性成果

摘　　要：20世纪二三十年代,脱胎于美国百老汇歌舞剧和好莱坞歌舞片的少女歌舞团逐渐兴起,风靡沪上,对中国左翼音乐的形成起到了重要的催生与传播作用。以明月歌剧社、梨花歌舞团为代表的本土少女歌舞团将爱国、抗战等左翼题材融入象征都市欲望的少女歌舞团歌舞;左翼则通过少女歌舞团明星的“声色”表达实现左翼思想的大众传播,形成革命理想、身体欲望与都市幻象的重奏,为中国左翼音乐的生成进行了叙事策略、音乐语言、表演形式、大众传播等多方面的准备与探索,立体化呈现出海派文化语境中无产阶级革命理想与资本主义都市文明交织出的复杂生动的历史图景。In the 1920s and 1930s,the girls show,which was born out of Broadway musical and Hollywood musical film in the United States,was blooming and in fashion in Shang⁃hai.Chinese Left⁃wing music also had its roots in the girls show.Mingyue Opera Group,Lihua Song and Dance Troupe provided the model for girls show,integrated left⁃wing themes such as patriotism and the Anti⁃Japanese War into the girls show.The left wing used singing and sa⁃lacity from the star of girls groups to spread Marxism to mass.Girls show in Shanghai created the ensemble of revolutionary ideal,body sexuality and urban fantasy,which was the source of Chinese Left⁃wing music,vividly depicted the historical prospect of revolutionary ideal of the proletariat and urban fantasy of the bourgeoisie.

关 键 词：少女歌舞团 左翼音乐 海派文化 历史图景 

分 类 号：J609.2[艺术—音乐] K26[历史地理—历史学]