中国化与时代化:文艺美学作为美学自主知识体系建构范型的两大面向  

Adaptation and Modernization:The Two Orientations of Aesthetics of Literature and Art as a Paradigm for Constructing China’s Independent Aesthetic Knowledge System

作　　者：韩清玉[1] Han Qingyu

机构地区：[1]山东大学文艺美学研究中心,山东济南250100

出　　处：《新文科理论与实践》2025年第1期115-124,128,共11页Journal of New Humanities and Social Sciences

基　　金：教育部人文社科重点研究基地重大项目“中西互鉴视阈中的中国现代美学建构路径与理论形态研究”(22JJD750028);山东大学人文社科重大项目“中西互鉴与中国现代文艺美学的话语建构”(21RWZD03)的阶段性成果。

摘　　要：中国美学自主知识体系的建构,要同时面对西方美学的中国化和传统美学的现代化双重使命。文艺美学是由中国现代美学所创生,某种意义上表征了中国文艺理论与美学交叉的现代形态。将文艺美学置于“中国式现代化”的宏大主题中,要旨在于如何建构兼具民族传统与时代精神特色的当代中国文艺美学自主知识体系。文艺美学所内蕴的中国化与时代化,表征了中国现代人文学术在现代化进程中的姿态、路径与方法。将文艺美学作为美学自主知识体系建构的范型,并从中国化与时代化的双重视角探讨这一建构的主导性思路与方法论特征,对于中国当代美学的发展具有重要启示意义。China’s independent aesthetics knowledge system must fulfil the dual missions of adapting Western aesthetics to the Chinese context and modernizing the traditional Chinese aesthetics to meet the needs of the times.Aesthetics of literature and art is born from modern Chinese aesthetics,and in a sense features the cross-disciplinary modernity through the integration of Chinese literary theory and aesthetics.Serving the grand theme of“Chinese modernization”is the major task of aesthetics of literature and art,which focuses on the construction of an independent contemporary Chinese aesthetic knowledge system that combines national traditions and the spirit of the times.The inherent nature of adaptation and modernization in aesthetics of literature and art epitomizes the roles,pathways and methodologies of modern Chinese humanities in the process of Chinese modernization.Taking aesthetics of literature and art as a paradigm for the construction of China's independent aesthetic knowledge system,and exploring the core ideological and methodological features of this construction from the dual perspectives of adaptation and modernization gives enlightenment on the development of contemporary Chinese aesthetics.

关 键 词：美学自主知识体系 文艺美学 民族传统 时代精神 

分 类 号：I01[文学—文学理论]