唐代开元通宝钱币背月纹来历探源  

Tracing the Sources of the Crescent-Stamped Back of the Kaiyuan Tongbao Coins of the Tang Dynasty

作　　者：陈文彬 Chen Wenbin

机构地区：[1]西北大学文化遗产学院

出　　处：《故宫博物院院刊》2025年第3期43-55,147,共14页Palace Museum Journal

基　　金：2020年度国家社科基金冷门绝学项目“敦煌壁画外来图像文明属性研究”(项目编号:20VJXT014)的阶段性研究成果。

摘　　要：本文探讨了唐代开元通宝钱币背面月纹的来源,梳理了安史之乱以前月纹在丝绸之路上的传播,认为其源头与萨珊波斯流行的纹样有关,经过两百余年的文化流变,被中国中古社会内部潜移默化地接受,并认为月纹与粟特人在东西方的贸易与文化交流活动有关,推测与安禄山铸币有关。开元通宝上的月纹见证了粟特人在唐代的影响,及其从兴盛到被排斥再到逐渐消失的过程。This thesis traces the sources of the crescent-shaped Tang-Dynasty Kaiyuan-Tongbao coins,the coins sealed with the Chinese characters of‘开元通宝’on the back reviewing its spreading along the Silk-Road prior to the event of An Lushan Rebellion',and coming to the following points:firstly,the pattern is related to the motifs prevailing in Sassanid that were influencing the Chinese people of medieval society unconsciously through its cultural evolution of more than two hundred years;secondly,the pattern has something to do with the Sogdians'trade and cultural activities across the east and the west;thirdly,the pattern is probably involved in the incident of An Lushan's Minting.The cre scent-shaped pattern stamped on the Kaiyuan-Tongbao coins plays as the evidences to the influence of the Sogdian in the Tang Dynasty,it goes thriving,excluded and fading away at last.

关 键 词：开元通宝 萨珊钱币 联珠新月 粟特人 安禄山 

分 类 号：K875.2[历史地理—考古学及博物馆学]