2024年中国美术理论的研究热点与发展趋势  

Research Highlights and Development Trends in Chinese Art Theory in 2024

作　　者：郭峙含 王粟 GUO Zhihan;WANG Su

机构地区：[1]四川美术学院艺术人文学院 [2]四川大学艺术学院

出　　处：《当代美术家》2025年第2期5-16,共12页Contemporary Artists

摘　　要：2024年,中国美术理论研究呈现出互融共进、深化内省与边界拓展的显著特征。在“三大体系”的战略导向下,中国美术理论研究既回应国家文化战略需求,又直面科技与全球化的冲击,致力于在中华文明的深厚土壤中培育理论自信、拓宽国际视野、探索中国美术理论在全球视野中的价值与意义。美术批评界紧密关注中国美术创作的动态趋势,积极反馈并致力于构建一个双向互动的文化生态体系。中国美术史研究呈现出多元化的发展态势,不仅深耕经典议题、拓宽研究视野,也更加强调中国传统美术的现代转型,形成一种开放包容、持续探索的学术氛围。这一系列发展动向共同推动了中国美术理论研究向更加深入、广泛与创新的方向迈进。In 2024,the study of Chinese art theory has demonstrated significant characteristics of mutual integration,deep introspection,and boundary expansion,Under the strategic guidance of the"Three Systems",Chinese art theory research not only responds to the demands of national cultural strategies,but also confronts the impacts of technology and globalization.It is committed to fostering theoretical confidence in the soil of Chinese civilization,broadening international perspectives,and exploring the value and significance of Chinese art theory in the global context.The art criticism community has paid much attention to the dynamic trends in Chinese art creation,actively providing feedback and striving to build a two-way interactive and mutually beneficial cultural ecosystem.The study of Chinese art history has shown a diversified development trend,delving deeper into classical topics and expanding research horizons;and also it places greater emphasis on the modern transformation of traditional Chinese art,creating an open,inclusive,and continuously exploratory academic atmosphere.These developments collectively propel Chinese art theory research towards a more profound,extensive,and innovative direction.

关 键 词：中国美术理论 “三大体系” 美术批评 中国美术史 研究热点 发展趋势 

分 类 号：J0[艺术—艺术理论]