冯氏喜剧的审美错位:解读电影《非诚勿扰3》  

The Aesthetic Misalignment of Feng’s Comedy:Interpreting the Film If You Are the OneⅢ

作　　者：程茜 Xi Cheng(School of Media Arts,Chongqing University of Posts and Telecommunications,Chongqing)

机构地区：[1]重庆邮电大学传媒艺术学院,重庆

出　　处：《新闻传播科学》2025年第1期109-114,共6页Journalism and Communications

摘　　要：《非诚勿扰》系列电影是“冯氏喜剧”的经典之作,其仍然以“冷幽默、戏谑讽刺、市民阶层都市爱情”等关键词,充分展现了冯导其独特的喜剧表现手法与传递的价值观,串连起了一代又一代喜剧受众。但《非诚勿扰3》票房的惨败,无疑表明“冯氏喜剧”的落寞趋势。该片在喜剧性上的缺失和真实性上的匮乏,无法顺应当代观众的喜剧审美。本文将从审美价值角度分析,解读冯氏喜剧更深层次的批判现实意味和价值,探寻审美错位的文化逻辑,以深思冯氏喜剧落寞的原因。The If You Are the One film series is a classic work of“Feng’s comedy”,which is still based on the key words of“cold humor,playful satire and urban love of the public class”,fully demonstrating Feng’s unique comedy expression and values,linking up a generation of comedy audiences.The audience of comedy has been connected to Feng’s unique style of comedy expression and the values he conveys,linking up generations of comedy audiences.However,the box office failure of“If You Are the OneⅢ”undoubtedly indicates the decline of‘Feng’s comedy’.The film’s lack of comedy and authenticity is unable to adapt to the comedy aesthetics of contemporary audiences.In this paper,we will analyze Feng’s comedy from the perspective of aesthetic value,interpret the deeper meaning and value of Feng’s comedy in terms of critical reality,and explore the cultural logic of aesthetic dislocation,in order to think deeply about the reasons for the decline of Feng’s comedy.

关 键 词：冯氏喜剧 审美错位 审美价值 喜剧电影 

分 类 号：J905[艺术—电影电视艺术]