整合语意视角下汉字与器物的表意关系研究  

Semantic Relationship of Chinese Character and Artifact Design Based on Conceptual Blending

作　　者：郗小超 邵雯雯 王多嘉 XI Xiaochao;SHAO Wenwen;WANG Duojia(School of Digital Media and Design Arts,Beijing University of Posts and Telecommunications,Beijing 100876,China)

机构地区：[1]北京邮电大学数字媒体与设计艺术学院,北京100876

出　　处：《北京邮电大学学报(社会科学版)》2024年第6期105-115,共11页Journal of Beijing University of Posts and Telecommunications(Social Sciences Edition)

基　　金：北京邮电大学行动计划项目(2021XD-A05);北京邮电大学“小米青年学者”基金支持。

摘　　要：器物在物质文化的演进中一直扮演着关键的角色,是文化信仰传承的重要载体。以汉字的字素符号为基础,从其构形表意的角度追本溯源,重新解读蕴藏在中国器物设计中的价值。首先将汉字形义划分为官能层、行为层和概念层三个层次,再运用概念整合理论构建它与设计心理反馈层次之间的关系,提出汉字与器物设计语义关系模型。语义关系模型包括感官联系、行为投射和心理阐释三个阶段。随后通过案例分析提炼出直译、转译两种语义关系,以及它们协同表达时的具身效果,进而勾勒出中国器物设计由“象形”到“象意”的语义发展脉络。As an important carrier of cultural belief inheritance,artifact plays a crucial role in material culture development.This paper focuses on the interpretation of values embedded in Chinese artifact design.Bringing morphemic symbol based Chinese characters to artifact analysis,values hidden in artifact making is uncovered.First,the semantic construction of Chinese characters is divided into three layers:the“corporeal layer”,the“behavioral layer”and the“conceptual layer”.Then,conceptual blending theory is used to analyze the relationship between Chinese characters and design psychological response and the semantic relation model of Chinese characters and artifact design is built,including three steps of sensorial composition,behavioral projection and intellectual elaboration.And two kinds of relationships between Chinese characters and artifact design are further explored:the denotative relationship and the connotative relationship.Finally,a clear developmental trend of artifact design is drawn upon:from the“pictographic representation”to the“ideographic representation”.

关 键 词：设计语义 概念整合 汉字 器物 物质文化 

分 类 号：J06[艺术—艺术理论]