“言—象—意”观中立“象”与西方图式理论中“图式”表达的比较  

A Comparative Study Between the Expressions of Conceptions and Schema in the View of"Discourse,Conception and Meaning"

作　　者：史秀娜[1] SHI Xiuna(College of Fine Arts,Liaocheng University,Liaocheng Shandong,252000,China)

机构地区：[1]聊城大学美术与设计学院,山东聊城252000

出　　处：《文化创新比较研究》2025年第8期11-15,共5页Comparative Study of Cultural Innovation

基　　金：山东省社会科学规划研究项目“基于图式理论的中国当代艺术域外传播研究”(项目编号:21CWYJ08)阶段性成果。

摘　　要：“言”是“意”的外现和形式,“意”是“言”的思想内核。“象”在“言”“意”这两个类似西方哲学中的“现象”与“概念”的范畴间达成了中介。“图式”作为认识过程中的联接,将感性与理性、经验与概念统一起来,以解释人的认识、交流和艺术创作及欣赏过程。“象”与“图式”位于不同的东西方文化语境,但作为知性与感性之间的沟通形式有一定相似性。“言—象—意”观是中国古典文论的重要观点,由此衍生的“图—象—意”观推动了中国绘画意境美学的发展和语图互文(诗画互文)的传统。西方绘画则经历了从“造物”到“造图”、图式由隐藏于具体物象之后到逐渐裸露呈现的过程。"Discourses"are the forms of"meanings",while"meanings"are the cores of"discourses"."Conceptions"make up agents between"discourses"and"meanings",which are similar to the two categories of"phenomena"and"concepts"in Western philosophy."Schema",as connections in the process of learning,combine reasons with senses,and experiences with concepts to interpret the processes of human learning,communication,artistic creation and appreciation."Conceptions"and"schema"exist in Eastern and Western contexts respectively and share similarities at this level as they are both forms of communications between reasons and senses.The view of"discourse,conceptions and meaning",from which originates the view of"image,conception and meaning",is an important philosophy in classical Chinese literature theory.The view of"image,conception and meaning"enhances the development of conception aesthetics in Chinese painting and the tradition of the intertextuality between discourses and images(poetry and painting).Western paintings started from painting specific objects and developed into painting images.In this process schema first hid behind specific objects,and then came to the front where the conceptions of Western painting resonate with traditional Chinese art.

关 键 词：“言—象—意”观 图式 立象 艺术表达 艺术接受 艺术理论 

分 类 号：J212[艺术—美术]