音乐社会功能和审美价值的再探索——中国共产党与上海左翼音乐运动初探  

Re-Exploration of Social Function and Aesthetic Value of Music——An Exploration of CPC and the Left-Wing Music Movement in Shanghai

作　　者：陈红旗 CHEN Hongqi(School of Humanities,Hainan University,Haikou 570228,Hainan,China)

机构地区：[1]海南大学人文学院,海南海口570228

出　　处：《安康学院学报》2025年第2期1-5,共5页Journal of Ankang University

基　　金：国家社会科学基金重大项目“中国共产党领导左翼文艺的历史经验研究”(23&ZD286);国家社会科学基金重大项目“红色文艺与百年中国研究”(21&ZD259)。

摘　　要：音乐与现代革命、启蒙立场、反帝爱国运动的结合,使音乐的内部关系和外部关系得以重构,也使音乐社会功能和审美价值的再探索成为可能。五四新文化运动之后,在现代思想、价值观念、思维方式、审美方式和表达方式的作用下,将革命思想、革命精神与音乐有机结合起来,成了早期革命者和音乐教育工作者的自觉选择。20世纪20—30年代大量涌现的革命歌曲和爱国歌曲,标志着中国音乐发生了前所未有的变化,它已经从一种娱乐、消遣的民间艺术形态,或者一种曲高和寡的高雅艺术,变成一种宣传鼓动的利器或曰武器的艺术;同时,左翼音乐工作者不愿漠视中华民族处于危难之中的现实,遂以音乐为媒介将社会正义、反帝反封建反侵略的思想与声音努力传唱和传播开去。The combination of music with modern revolution,enlightenment stance and anti-imperialist patriotic movement has recon-structed the internal and external relations of music,and also made it possible to re-explore the social function and aesthetic value of music.After the May 4th New Culture Movement,under the influence of modern thoughts,values,modes of thinking,aesthetic ways and modes of expression,the organic combination of revolutionary thoughts,revolutionary spirit and music became the conscious choice of early revolutionaries and music educators.A large number of revolutionary songs and patriotic songs emerged in the 1920s and 1930s,meaning that Chinese music has undergone unprecedented changes.It has changed from a folk art form of entertainment and recreation,or a kind of elegant art of high and low,to a sharp tool or weapon of propaganda and agitation.At the same time,the left-wing musicians did not want to ignore the existing reality that the Chinese nation was in danger,so they used music as a medium to spread the ideas and voices of social justice,anti-imperialism,feudalism and aggression.

关 键 词：中国共产党 上海左翼音乐运动 社会价值 审美价值 

分 类 号：D231[政治法律—政治学] J617.2[政治法律—中共党史]