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作 者:黄鸣奋[1] HUANG Mingfen
机构地区:[1]厦门大学电影学院,厦门361005
出 处:《北华大学学报(社会科学版)》2025年第2期103-111,154,共10页Journal of Beihua University(Social Sciences)
基 金:国家社会科学基金艺术学重大项目“比较视野下中国科幻电影工业与美学研究”(21ZD16)的阶段性研究成果。
摘 要:科幻电影创意的特征是以科技为参照系放飞想象。所谓“放飞”意味着突破想象的界限、局限和极限。“想象的界限”是指人们的知识、经验和文化环境所塑造的思维范围,是人类对未知世界进行假设和推演时的初始边界。“想象的局限”是指人们在构建未来情景或虚拟世界时受到经验主义和现实逻辑的束缚,无法完全摆脱传统框架的制约。“想象的极限”关乎未知的终极问题,如宇宙的尽头、生命的本质或意识的边界等。突破“想象的界限”旨在拓展思维的广度,突破“想象的局限”重在增进思维的深度,而突破“想象的极限”则着眼于提升思维的高度。三者彼此结合,正是激发创意、创造、创新的关键。The hallmark of creativity in sci-fic film lies in unleashing the imagination with science and technology as its reference framework.To“unleash”implies a deliberate breaking through of the boundaries,constraints,and extremes of imagination.The boundary of imagination refers to the scope of thinking shaped by human knowledge,experience,and cultural context,it marks the initial threshold when humans attempt to hypothesize and simulate the unknown.The constraint of imagination refers to the restrictions imposed by empiricism and conventional logic,which limit the construction of future scenarios or virtual worlds.The extreme of imagination deals with ultimate unknowns,such as the edge of the universe,the essence of life,or the limits of consciousness.Breaking through the boundary aims to expand the breadth of thinking,breaking through the constraint aims to enhances its depth,and breaking through the extreme aims to elevates its height.Together,these three dimensions form the core mechanism for inspiring creativity,invention and innovation in science fiction.
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