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作 者:秦飞 邓纯余 Qin Fei;Deng Chunyu
机构地区:[1]南京理工大学马克思主义学院
出 处:《山东社会科学》2025年第2期167-175,共9页Shandong Social Sciences
基 金:南京理工大学人文社科团队培育专项“中国共产党运用电影文艺构筑精神谱系研究”(项目编号:30924010702)的阶段性成果。
摘 要:《新青年》杂志在建设新文化、传播新思潮、改造国民性、探索办报建党等方面取得成功的过程中,刻画青年群像作为媒介主题发挥了极其重要的作用。新时代,塑造青年形象,培养担当民族复兴大任的时代新人,要善于回望历史,掌握和运用《新青年》杂志融通外源性叙事符号与本土话语、聚合书写阅读交流机制、续接思想启蒙与革命育人等相关的身份书写策略,总结与借鉴《新青年》杂志在引导青年与时代同频共振过程中所倡导的“公同担任”的编辑理路、“百家平等,不尚一尊”的包容精神、“革命的罗针”的大历史观。New Youth has made great contributions to building a new culture,spreading new ideological cur-rents,transforming the national character,exploring the party founding through newspaper operation,and other aspects.In the process of achieving success,portraying the image of youth as a media theme has played an extremely important role.In the new era,a keen sense of historical retrospection is crucial for shaping youth images and cultivating new people of the era who can shoulder the great task of national reju-venation.We should master and apply the identity writing strategies employed by New Youth,such as in-tegrating exogenous narrative symbols with local discourse,aggregating mechanisms for writing,reading,and communication,and adhering to ideological enlightenment and revolutionary education.In the process of guiding youth to resonate with times,New Youth upheld the editorial principle of"co-responsibility",the tolerant spirit of"equality among all,with no single authority",and the grand historical perspective of"the compass of revolution",these are all worth summarizing and learning from.
分 类 号:D432[政治法律—政治学] G239.29[政治法律—国际共产主义运动]
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