谈中国古代诗人感物而兴的创作美学  

The Creation Aesthetics Thriving on Sensory Perception in Ancient Chinese Poets

作　　者：安汝杰 AN Ru-jie(School of Physical Education,Pingdingshan University,Pingdingshan 467000,China)

机构地区：[1]平顶山学院体育学院,河南平顶山467000

出　　处：《湖州职业技术学院学报》2025年第1期82-85,共4页Journal of Huzhou Vocational and Technological College

摘　　要：中国古代诗人的艺术创作是在一个感物而兴的瞬间,从大自然中本已存在的风扫落叶、雨打梨花等物的形象中加工出诗歌意象的时间体验过程。自然物象在中国古代诗人审美情感对象化的时间机制中转化为诗歌意象,其艺术特征则是情境一体。兴起诗人创作意向的物的集合体就是物境,而境随意转,意由情生,境皆含情,情皆可境。瞬间是诗歌意象生成的审美空间,生命的意义蕴含于由这些美的瞬间连缀而成的意象的具体化身之中,由此一次创作就是一次独一无二的生命体验。The artistic creation of ancient Chinese poets is a temporal time experience process wherein poetic images are crafted from the already existing images of natural phenomena such as wind sweeping leaves and rain beating pear blossoms.In the temporal mechanism of objectifying aesthetic emotions,natural images are transformed into poetic images by ancient Chinese poets.The collection of objects that arouse the poets’creative intention is the realm of things and the realm changes freely.Meaning arises from emotions and all realms contain emotions which can be realms.The moment is the aesthetic space where poetic images are generated.The significance of life is embodied in the concrete manifestation of images formed by these beautiful moments,making each act of creation a unique life experience.

关 键 词：中国古代诗人 感物而兴:诗歌意象 创作美学 

分 类 号：I052[文学—文学理论]