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作 者:张新科 ZHANG Xinke(College of Art,Hebei University,Baoding,Hebei 071000,China)
出 处:《贵州大学学报(艺术版)》2025年第2期10-19,共10页Journal of Guizhou University Art Edition
基 金:2022年度教育部人文社会科学研究青年基金项目“身体与艺术理论:艺术身体学研究”(项目编号:22YJC760127);2022年度河北省文化艺术科学规划和旅游研究青年项目“河北省非物质文化遗产教育元素研究”(项目编号:HB22-QN053)。
摘 要:2024年,中国艺术学界围绕建构自主知识体系展开了多层次、多维度的深入探索。在艺术学科理论层面,围绕艺术学“三大体系”建设、学科发展历程与现存问题的反思,以及艺术理论与艺术史之间关系的探讨,为推进学科建设提供了深厚而积极的理论支撑。在艺术基础理论层面,中国传统艺术的当代转型,以及对近现代艺术理论资源的系统发掘,成为中国艺术理论研究的核心议题。同时,学界还加强对国外艺术理论中关键概念的研究或运用,促进了跨文化对话。在艺术前沿理论层面,人工智能、媒介技术、生态学以及地理学等新兴议题,不仅拓展了艺术理论的研究视域,也为艺术学科注入了新的发展动力。通过理论与实践的双向互动,2024年的中国艺术理论在传承与创新中迈向自主知识体系构建的新阶段。The academic community of Chinese art in 2024 has carried out a multi-layered and multi-dimensional exploration of constructing an independent knowledge system.In the studies of art theory,it has focused on the construction of the“Three Major Systems”in art studies with reflections on the development history and existing issues of the discipline,as well as the relationship between art theory and art history,so as to provide profound and positive theoretical supports for advancing the disciplinary construction.0x09As for the fundamental theories of art,the contemporary transformation of traditional Chinese arts,along with a systematic exploration of modern and contemporary theoretical resources of art,has become the core research issues of Chinese art theory.Meanwhile,the academic community has also strengthened the studies and applications of key concepts from foreign art theory,promoting a cross-cultural dialogue.At the frontier of art theory,emerging issues such as artificial intelligence,media technology,ecology and geography,have not only expanded the research horizons of art theory but also injected vitality into the discipline.Through the reciprocal interaction between theory and practice,Chinese art theory has advanced towards the construction of an independent knowledge system in 2024,embracing both inheritance and innovation.
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