中、泰南传佛教节庆仪式音乐结构的双轴关系研究  

A Study on the Dual-chain Relationship of Music Structure in Chinese and Thai Festival Rituals of Theravada Buddhism

作　　者：董宸 Dong Chen(School of Music,South China Normal University,Guangzhou,Guangdong 516031,China)

机构地区：[1]华南师范大学音乐学院,广东广州516031

出　　处：《贵州大学学报(艺术版)》2025年第2期98-108,共11页Journal of Guizhou University Art Edition

基　　金：国家社科艺术学一般项目“南方跨界族群音乐民族志的理论建设和选点、比较研究”(项目编号:20BD068)。

摘　　要：中国和泰国的南传佛教节庆仪式音乐一直以信仰文化为核心保持同构关系。从结构上看,中国和泰国南传佛教节不同的节庆仪式,都是在诸如“与信仰核心关系近”—“与信仰核心关系远”,“自我归属由信仰而生的肯定”—“自我归属由信仰而生的否定”,“信仰需求”—“个人需求”这些二元关系的摇摆中达成了模式—模式变体的推导。其中与仪程同形同构的音乐内容的本质,都是对相关意义的表达,其音乐本体结构既遵循了中、泰仪式仪程的同—异关系,也通过模式—模式变体的推导遵循结构链条中的二元关系。由此可见,中、泰仪式音乐双重链条结构的达成,正是以近信仰核心为深层结构内核,遵循这一内核实现二元关系的平衡,并以信仰的最终实现或维持信仰认同的稳定为导向。The ritual music of the Theravada Buddhist festivals in China and Thailand has always maintained an isomorphic relationship centered on the culture of faith.Structurally,their different ceremonial rituals are achieved through oscillations in binary relationships such as“close to the core of faith”vs“far from the core of faith”,“self-belonging arising from faith affirmatively”vs“self-belonging arising from faith negatively”,and“faith needs”vs“personal needs”.The essence of the musical content,which is isomorphic with the ceremonial procedures,is the expression of the corresponding meanings.And its ontological structure not only follows the similarities and differences in the ceremonial procedures of China and Thailand but also adheres to the binary relationships in the structural chain through the derivation of patterns and their variations.Thus,the dual-chain structure of the ritual music in China and Thailand is achieved by taking the core of faith as kernel of the deep structure so as to balance the binary relationships by following this kernel and take the ultimate realization or maintenance of a stable faith identity as it orientation.

关 键 词：节庆仪式音乐 双轴关系 同构 

分 类 号：J608[艺术—音乐]