生态艺术的条件、意义与边界  

The Conditions,Significance and Boundary of Eco-art

作　　者：薛富兴[1] XUE Fuxing(School of Philosophy,Naikai University,Tianjin,China,300353)

机构地区：[1]南开大学哲学院,天津300353

出　　处：《贵州大学学报(社会科学版)》2025年第2期116-124,共9页Journal of Guizhou University(Social Sciences)

基　　金：国家社会科学基金一般项目“‘科学认知主义理论’的完善与本土化应用”(23BZX116)。

摘　　要：生态艺术可因关注环境问题、传达生态观念之题材与主题成立,亦可因其在媒介、技术和语境方面的创新而成立,又因在媒介、技术和语境三要素中引入自然因素而成立。对生态艺术的界定据上述诸方面因素的不同组合情形而异。生态艺术的革命性不仅表现在其核心生态观念上,更表现在其因媒介、技术与语境三方面不同程度的变革而引起的对传统艺术的挑战。生态艺术自身也存在困境:一方面在题材和主题上与生态相关的艺术是否真正具有良好的生态效果有待验证;另一方面则需认真考察其是否恰当地处理了其自身人文要素与生态要素间的关系。因此,生态艺术一方面对当代艺术具有全方位的革命意义,同时又包含自然与人文这一永恒的内在矛盾。Eco-art can be true for its topics and themes involving environmental issues and expressing eco-ideas.It’s also valid for its innovation in aspects of media,techniques and contexts as well as the introducing of natural elements in the former aspects.The definitions for eco-art can be given in accordance with the different combination of the above elements.The revolution of eco-art is embodied not only in its core eco-ideas,but also for its reformation of media,techniques and contexts respectively which challenges traditional arts.Eco-art has its own dilemma,on the one hand,whether the art which the topics and themes are relevant to eco-issues has positive effect is waiting for verification;on the other hand,eco-artists have to make sure that they deal with the relation between the elements of nature and human in a proper way.So,the eco-art has a full dimensions revolutionary significance for contemporary arts while it ever contains the inner paradox between nature and human.

关 键 词：生态艺术 题材与主题 媒介、技术与语境 边界 

分 类 号：B835[哲学宗教—美学]