道器相济:绿松石在藏族宗教文化中的符号学考察  

A Semiotic Exploration of Turquoise in Tibetan Religious Culture

作　　者：何佳玲 HE Jialing(Institute for Studies of Daonism and Religious Culture,Sichuan University,Chengdu,Sichuan 610000)

机构地区：[1]四川大学道教与宗教文化研究所,四川成都610000

出　　处：《西藏大学学报(社会科学版)》2025年第1期100-109,共10页Journal of Tibet University

基　　金：2024年度国家社会科学基金冷门绝学研究专项学术团队项目“西藏沿边及藏南多语种地名文献的整理与研究”阶段性成果:项目号:24VJXT008。

摘　　要：绿松石在藏族宗教文化中意涵丰富,是研究中华民族交往交流交融的重要活态符号。文章运用符号学理论,结合文献和田野方法关注绿松石的媒介物质性在文明发展中的意义建构,依次从“物本身”“物与人”“物与物”三维探讨绿松石在藏族宗教文化中的认知路径。文章指出,绿松石作为物媒介具有外在时空的常在性和内在时空的理据性;感官属性和能量属性,是绿松石在藏族宗教文化中广为流传的重要动因;绿松石与多模态符号以“同质叠加”“异质和合”“像似从属”三种界面构成了藏族宗教无穷时间、无上神圣的符号表意系统。Turquoise holds special significance in Tibetan religious culture and serves as a vital living symbol that helps us understand the interactions,exchanges,and integration among the ethnic groups of China.This paper employs semiotic theory,integrating documentary research and field methods,to explore how turquoise,as a material,has been gradually endowed with some meaning in the development of civilization.It also explores the cognitive pathways of turquoise in the Tibetan religious culture from three dimension,namely"the object itself,""the object and humans,"and"the object and other objects."The paper argues that turquoise,as a material medium,has a constant presence in time and space,and its existence is justified by internal logic.Furthermore,it can be seen,touched,and sensed,and it can also convey a kind of energy.These characteristics have made turquoise widely popular in the Tibetan religious culture.Turquoise combines with various other symbols in three ways,forming a symbolic system in the Tibetan religion that represents infinite time and the supreme sacred meaning.

关 键 词：绿松石 藏族宗教 文化符号 物质性 

分 类 号：G127[文化科学]