人工智能装置艺术中的具身性与涌现行为——《智能体共生:从运河到银河》创作谈  

Embodiment and Emergent Behavior in AI Installation Art: On the Creation of Symbiosis with Intelligent Agents: From Canal to Galaxy

作　　者：陈抱阳 Chen Baoyang(School of Experimental Art and Technological Art,Central Academy of Fine Arts)

机构地区：[1]中央美术学院实验艺术与科技艺术学院

出　　处：《美术》2025年第4期38-40,共3页Art Magazine

摘　　要：《智能体共生:从运河到银河》融合机器人与AI理论,通过机械臂与四足机器人在雾气环境中的互动力图,呈现具身与涌现行为。作品借鉴群体智能与机器人艺术概念,强调分散化与多智能体协作带来的不可预测性。观众的介入不断改变装置生态,强化人机共生理念,拓展了当代艺术对机器创造力与技术伦理的思考。本装置以分散控制与元信念为策略,为机器人保留了自发空间,并模拟火星改造场景,引发对未来生态与社会共生的想象。Combining robot and artificial intelligence(AI) theories, the Symbiosis with Intelligent Agents: From Canal to Galaxy presents embodiment and emergent behavior through the interaction of the robotic arm and the quadruped robot in a foggy environment. It draws on the concepts of swarm intelligence and robotic art, and emphasizes the unpredictability brought by decentralization and multi-agent collaboration. The ecology constantly changed by the intervention of audience strengthens the concept of the coexistence of man and machine, and expands the reflection of contemporary art on machine creativity and technological ethics. Taking decentralized control and meta-beliefs as a strategy, this installation preserves a space for robots and simulates the terraformation of Mars, stimulating the imagination of the coexistence of ecology and society in the future.

关 键 词：人工智能艺术 艺科融合 具身性 涌现行为 

分 类 号：J0[艺术—艺术理论] J05