语言的边界——《自然系列——木头》创作谈  

Boundary of Language:On the Creation of Nature Series:Wood

作　　者：李洪波[1] Li Hongbo(Jilin Normal University)

机构地区：[1]吉林师范大学

出　　处：《美术》2025年第4期44-46,共3页Art Magazine

摘　　要：《自然系列——木头》来源于儿时常玩的“纸葫芦”。一沓薄薄的纸竟能变化出各种迥异不同的形态,这样的视觉冲击让笔者看到了纸质形式语言的另一种可能——从具象到抽象,从有形到无形,从规范到自由……本文从传统寻根与当代突围、材料语言的客体叙事与主体言说、符号语言的重构与转译、作品凝固与流动形态的复调叙事四个方面来阐述创作的思考。Nature Series:Wood is inspired by“paper gourds”that the author often played with in his childhood.The visual impact brought by several pieces of paper that can be turned into various forms enables the author to see another possibility of paper language,that is to be changed from concrete to abstract,from tangible to intangible,and from normative to free......This article expounds how the work is created from the following four aspects:traditional principles and contemporary breakthrough,objective narrative and subjective discourse of material language,reconstruction and interpretation of symbol language,and polyphonic narrative of solidified and flowing forms of the work.

关 键 词：纸艺术 传统文化 视觉转换 语言边界 

分 类 号：J213[艺术—美术] J205