歌剧《白毛女》的署名争议与集体创作探析  

Dispute over One Original Author of the Opera White-Haired Girl and Analysis of Collective Creation

作　　者：李瑞山[1] 吴琼 Li Ruishan;Wu Qiong

机构地区：[1]南开大学文学院

出　　处：《文学与文化》2025年第1期4-16,共13页Literature and Culture Studies

摘　　要：歌剧《白毛女》署名于2010年爆发争议(原西战团成员戈焰等称应加上“邵子南原作”字样),使《白毛女》延安创作的相关史实重回研究者视野。梳理新披露的当事人日记等材料,可证邵执笔写作剧本《白毛女人》故事提纲和第一幕,试排后即退出创作组,没有完成《白毛女》初稿创作,故原署名无误。而从更深层次分析,歌剧《白毛女》的创作形式既有集体创作的特点,又保留了个人创作的痕迹,乃特定历史条件下的特别创作形式,是延安文艺传统下中国现代文艺创作的独特样例,需要考察其特殊性,作出正确解读。The dispute over one author of the opera White Haired Girl broke out in 2010 when Ge Yan,a former member of the Western Battlefield Service Group,and some others claimed that Shao Zinan was the original author in the beginning,bringing the historical facts related to the creation of White Haired Girl in Yan'an back to the researchers'mind.Combing through the newly disclosed diary and relevant materials,it can be seen that Shao wrote the story line and the first act of the screenplay A White Haired Woman,and then withdrew from the creative group after the trial rehearsal,failing to complete the first draft of White Haired Girl and resulting in the lack of his name.In a deeper analysis,White Haired Girl was created both collectively and individually,with traces on both categories.It is a special form of creation under specific historical conditions,and a unique example of modern Chinese literary and artistic creation under the Yan'an literary and artistic tradition,needing an investigation in its particularity and making the correct interpretation.

关 键 词：歌剧《白毛女》 署名争议 集体创作 

分 类 号：J822[艺术—戏剧戏曲]