三届设计之春评述  

A Review of the Three“Design Spring”Editions

作　　者：万炜[1] 柳毅 王卓 WAN Wei;LIU Yi;WANG Zhuo(School of Art and Design,Changzhou Institute of Technology,Changzhou,Jiangsu,213032,China;Academy of Arts and Design,Tsinghua University,Beijing,100084,China;School of Art and Design,Shanghai Institute of Technology,Shanghai,200235,China)

机构地区：[1]常州工学院艺术与设计学院,江苏常州213032 [2]清华大学美术学院,北京100084 [3]上海应用技术大学艺术设计学院,上海200235

出　　处：《家具与室内装饰》2025年第3期44-47,共4页Furniture & Interior Design

基　　金：国家艺术基金(一般项目)2024年度资助项目(2024-A-04-105-498):中国当代四十年家具设计作品巡展。

摘　　要：“设计之春——中国当代家具设计展”作为本土家具设计圈的标志性事件,历经三届之后未能延续,它在促进本土家具设计价值提升的同时也引发了不少争议,其中的经验得失值得关注和思考。文章从设计策展的角度分析其内容和价值,重新审视其定位的尴尬以及优化的可能性,并以主体各方需求的角度进行考量,讨论本土家具设计策展如何走向积极合理的方向。As a landmark event in the local furniture design circle,the“Design Spring-China Contemporary Design Exhibition”has not been able to continue after the third edition.Although promoting the value of local furniture design,it has also sparked a lot of controversy,the experience gains and losses are worth paying attention to and reflecting on.This article analyzes its content and value from the perspective of design curation,re-examines its awkward positioning and optimization possibility,and considers how local furniture design curation can move towards a positive and reasonable direction from the perspective of subject needs.

关 键 词：设计之春 家具设计策展 本土家具设计 设计批评 

分 类 号：TS664.1[轻工技术与工程]