弘仁书画形式语言的道家意境刍议  

The Taoist Artistic Conception of Hongren's Formal Language of Calligraphy and Painting

作　　者：沈名杰 Shen Mingjie

机构地区：[1]湖南女子学院美术与设计学院

出　　处：《美术观察》2025年第4期106-108,共3页Art Observation

摘　　要：本文通过文献分析与形式语言剖析,揭示弘仁书画在笔墨、留白上展现的道家美学特征,以此阐明弘仁艺术风格与道家哲学的内在联系,并提出“静观悟道”对其意境构建的重要作用,为理解中国传统艺术与道家思想交融提供新的视角。Through literature analysis and formal language examination,it reveals the Daoist aesthetic characteristics exhibited in Hongren's brushwork,ink application,and use of negative space.The main contribution of this research lies in elucidating the intrinsic connection between Hongren's artistic style and Daoist philosophy,highlighting the significant role of“contemplative enlightenment”in the construction of his artistic conception.It provides a new perspective for understanding the fusion of traditional Chinese art and Daoist thought,holding positive significance for cultural heritage.

关 键 词：虚静 空灵 淡然 道家 

分 类 号：J212[艺术—美术]