中国传统美学视域下的当代意象手工艺审美探析  

An Analysis of Contemporary Imagery Handicraft Aesthetics through the Lens of Traditional Chinese Aesthetics

作　　者：侯敏枫 Hou Minfeng

机构地区：[1]上海应用技术大学艺术与设计学院

出　　处：《美术观察》2025年第4期118-120,共3页Art Observation

基　　金：2023年度上海市级重点课程“产品改良设计”课题阶段性成果,项目编号:10110M240084-A22。

摘　　要：意象手工艺不追求客观对象的再现,而强调作品所传递的情感和象征意义,注重内涵和精神力量。本文通过对意象手工艺作品创作中的审美内涵、审美表达范式以及审美表达要素等方面的探析,强调中国传统美学的文化价值和审美境界在作品中的融合,体现天人相融的艺术品格以及表象形式与内在情感的交融。Imagery handicrafts do not aim for the reproduction of the objective objects.Instead,they emphasize the emotions and symbolic meanings embodied within them,highlighting their inherent connotation and spiritual power.This article explores the aesthetic connotation,expressive paradigms,and expressive elements involved in the creation of imagery handicraft works.It emphasizes the integration of cultural value with aesthetic realm of traditional Chinese aesthetics within the imagery handicraft works,showcasing the aesthetic ethos of the harmony between nature and humanity,and the synthesis of visual form and internal affect.

关 键 词：中国传统美学 审美 意象手工艺 

分 类 号：J505[艺术—艺术设计]