从艺术观相学到“湿”波普——谈李孝萱人物画创作及“她们”系列  

From Art Observation-ology to“Wet”Pop——On Li Xiaoxuan's Figure Painting Creation and“They”Series

作　　者：张娟[1] Zhang Juan

机构地区：[1]西安美术学院中国画学院

出　　处：《美术观察》2025年第4期126-129,共4页Art Observation

摘　　要：李孝萱的写意人物画创作以面貌多样著称,这并非是他有意为之的结果,乃是源自艺术家性情的自然生发,是“非线性”创作意识的体现。本文还特意引入了“艺术观相学”概念,以此梳理李孝萱各个时期的人物画作品,并着重阐述了“她们”系列中的波普艺术特质,从中挖掘出区别于西方艺术的“湿”性,作为对“她们”系列的创造性解读。Li Xiaoxuan's freehand figure paintings are renowned famous for their diverse features,which is not the result of his intention,but the natural development of the artist's temperament,which is the embodiment of“nonlinear”creative consciousness.This paper deliberately introduces the concept of“art observation-ology”to sort out Li Xiaoxuan's figure paintings in various periods,and focuses on the characteristics of pop art in the“They”series,and excavates the“Wet”character that is different from Western art,as a creative interpretation of the“They”series.

关 键 词：李孝萱 写意人物画 非线性 艺术观相学 “她们” “湿”波普 

分 类 号：J212[艺术—美术]