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作 者:马天颖 MA Tianying(College of Literature,Henan University,Kaifeng Henan 475001,China)
出 处:《南都学坛》2025年第3期76-83,共8页Academic Forum of Nandu:Journal of the Humanities and Social Sciences of Nanyang Normal University
基 金:国家社会科学基金项目“历代《草堂诗余》的纂刻及其词学影响研究”(项目编号:21BZW013)。
摘 要:顾千里作为清代著名的校勘学家,其词学论述常为其古籍校勘成就所掩。尽管顾千里并非以词学名世,但在扬弃浙西词派理论的基础上,其词作、词集序跋中时常显示出对韵律的重视、对“词学”概念的强调和对“学人之词”的推尊。在创作中,顾千里还有对创作“无题之作”的偏好。这些词学思想对吴中词派的形成和理论构建产生了重要影响。Gu Qianli,a distinguished textual scholar of the Qing Dynasty,is often recognized for his work in classical literature,yet his achievements in this area are frequently eclipsed by his contributions to textual criticism.Despite not being widely recognized for his expertise in Ci poetry,Gu Qianli consistently highlights the importance of rhythm and the concept of“scholarly Ci”in both his own poetry and the prefaces he wrote for Ci poetry collections.Additionally,Gu Qianli displayed a distinct preference for composing“untitled”(wuti)poems,which reflects his unique approach to poetic creation.This thesis seeks to examine Gu Qianli’s theories on Ci poetry by analyzing his approach to composition and his divergence from the principles of the Zhexi School of Ci Poetry.It also investigates the profound impact of his ideas on the emergence and theoretical evolution of the Wuzhong School of Ci Poetry.
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