汉代“诗言情”的性情维度  

The Humanity and Sensibility Dimension of"Poems Expressing Emotion"in the Han Dynasty

作　　者：李峰[1] LI Feng(School of Law,Dalian University of Finance and Economics,DaLian,Liaoning 116000)

机构地区：[1]大连财经学院文法学院,辽宁大连116000

出　　处：《泰山学院学报》2025年第1期76-82,共7页Journal of Taishan University

基　　金：大连财经学院2024年度校级教学改革研究项目“传统吟诵在古代文学教学中的融合与创新”(2024dlcjjg51)。

摘　　要：汉代“诗言情”以汉代儒道性情文化哲学为背景,具体呈现在汉代诗歌理论及诗歌创作之中。汉代儒家以阴阳论性情,肯定“情”的存在价值,并提出对“情”采取有效规范;汉代道家以“道”论性情,肯定自然性情,高扬“至情”说。汉代诗论以“情性”论诗,并提出“发愤”说。汉代诗歌创作出了发抒至情至性的诗作,在文化哲学、诗歌理论、诗歌创作等方面皆从性情维度共同彰显了汉代“诗言情”深化的过程。In the Han dynasty,"poems expressing emotion",which was based on the humanity and sensibility cultural philosophy of Confucianism and Taoism,was embodied in the poetry theory and poetry creation of the Han dynasty.In the Han dynasty,the confucianists discussed the humanity and sensibility by Yin and Yang.They affirmed the existence value of"emotion"and proposed to take effective norms for"emotion".The Taoist,standing on the height of"Tao",discussed the humanity and sensibility,affirmed the natural disposition,and advocated the theory of"the deepest emotion".The poetic theory of the Han dynasty discusses poetry by"emotion"and puts forward the theory of"writing for discontentment".The practice of poetry creation and produces poems that express emotion to the utmost.In terms of cultural philosophy,poetic theory and poetic creation,they all show the deepening process of"poems expressing emotion"in Han dynasty from the dimension of humanity and sensibility.

关 键 词：汉代 儒道 性情 诗言情 

分 类 号：I207.22[文学—中国文学]