元现代理论的新进展  

On the New Developments in Metamodern Theory

作　　者：王洪岳 WANG Hongyue

机构地区：[1]伊犁师范大学中国语言文学学院 [2]伊犁师范大学边疆中华文史研究中心 [3]浙江师范大学江南文化研究中心

出　　处：《中国政法大学学报》2025年第2期260-276,共17页Journal Of CUPL

基　　金：伊犁师范大学中国语言文学学院2025年边疆中华文史研究中心开放课题重点项目“‘非美学’与元现代文论的新进展”(BJWSZ202501)的阶段性成果。

摘　　要：元现代主义是西方“后现代之后”的一种关于现代性与文艺思潮的理论。它致力于重建被后现代所侵蚀了的文化艺术和审美情感的尊严。中国学界已对2010年之前的元现代文论进行了研究;近十余年来的进展情况尚需加以及时追踪和研究。这一时期的元现代文论呈现出三个特点:一是由文化理论向其他学科扩展;二是由欧美向其他地区扩展;三是在其影响下的文艺创作得到强化。元现代文论以“后真实”姿态,重新探求真实性问题;以“新真诚”姿态,重新关注社会伦理问题;以“即此即彼”方式,将现代主义探索精神和后现代游戏精神给予结合;从而开拓出其中位性、振荡性、包容性、自反性和生成性等特征。Meta-modernism is a theoretical framework in Western thought that emerged“after postmodernism,”addressing issues of modernity and literary trends.It seeks to overcome the linguistic challenges associated with naming the new intellectual movements that followed postmodernism,such as“post-postmodernism”,and to restore the dignity of culture and art and aesthetic emotion that were eroded and corrupted by postmodernism.While Chinese academia has conducted research on metamodern literary theory up until 2010,developments over the past decade require systematic tracking and analysis.The metamodern literary theory in this period has exhibited three characteristics:First,its expansion from cultural theory to other disciplines;Second,its geographical diffusion from Europe and the United States to the rest of the world;Third,its growing influence on literary and artistic creation.Meta-modern literary theory approaches its authenticity through a“post-truth”perspective,re-engages with its sociality issue through a“new sincerity”lens,and integrates the exploratory spirit of modernism with the freely playful nature of postmodernism through a“both/and”methodology.As a result,it has developed distinctive features such as metaxy,inclusiveness,oscillation,reflexivity and generativity.

关 键 词：元现代 元现代主义 后现代之后 中位性 振荡性 

分 类 号：J0[艺术—艺术理论]