数字技术视角下大运河主题博物馆展陈设计策略对比研究  

A Comparative Study of Exhibition Design Strategies for Grand Canal Themed Museums from a Digital Technology Perspective

作　　者：刘宇[1] 陈柯霖 

机构地区：[1]天津理工大学艺术学院

出　　处：《建筑与文化》2025年第4期28-30,共3页Architecture & Culture

基　　金：天津理工大学研究生教育教学研究与改革项目“以科技融合为引领的环境设计专业硕士培养模式研究”(重点项目)(项目编号:ZDXM2304)。

摘　　要：随着信息和数字技术的不断进步,博物馆在智慧化转型中面临新的机遇与挑战。大运河博物馆在物质文化遗存的展示方式及非物质文化的呈现方面,存在一定的难题。文章通过实地调研,分析数字技术在国内五座大运河博物馆中的应用情况,并探讨其数字化展陈策略。通过归类总结,揭示数字技术在提升观众互动性、文化传承及展示效果中的应用潜力。技术与文化的有机结合对博物馆的数字化转型至关重要,文章旨在为未来大运河主题博物馆及类似博物馆的数字化发展提供理论支持和参考。With the continuous advancement of information and digital technology,museums face new opportunities and challenges in the process of smart transformation.The Grand Canal museums encounter certain challenges in terms of exhibiting material cultural heritage and presenting intangible culture.This paper analyzes the application of digital technology in five domestic Grand Canal museums through field research and explores their digital exhibition strategies.By categorizing and summarizing,it reveals the potential of digital technology in enhancing audience interactivity,cultural heritage preservation,and display effectiveness.The organic combination of technology and culture is crucial to the digital transformation of museums,and this paper aims to provide theoretical support and reference for the future digital development of Grand Canal themed museums and similar institutions.

关 键 词：大运河博物馆 数字技术 展陈设计 设计策略 互动体验 数字化转型 

分 类 号：G265[历史地理—考古学及博物馆学]