2024年度中国戏曲艺术发展报告  

2024 Annual Report on the Development of Traditional Chinese Opera

作　　者：赵建新[1] Zhao Jianxin

机构地区：[1]中国戏曲学院

出　　处：《四川戏剧》2025年第2期12-19,共8页Sichuan Drama

基　　金：国家社科基金艺术学重大项目“戏剧与影视评论话语体系及创新发展研究”(项目编号:23ZD07)的研究成果。

摘　　要：2024年戏曲艺术的创作和演出基本呈平稳态势。从年初持续到岁末的20余次戏曲展演渐趋平台化与机制化;戏曲人才培养模式也向专业化和常态化发展;戏曲学科发展与三大体系建设卓有成效,梅兰芳研究正成长为学科的重要增长点;戏曲剧目创演方面,小剧场做足大文章,老题材尽显新面貌,整理改编传统剧目和一系列经典折子戏是本年度的精彩华章;本年度行业热点关注“戏曲破圈”,聚焦“人工智能”;围绕青春版《牡丹亭》首演20周年纪念活动,总结戏曲艺术创新发展经验;“全国南戏展演”搭建古老剧种“朋友圈”;昆曲界挖掘宫廷戏曲资源,打造经典演出新路径;沉浸式演出亟待规范有序。In 2024,the creation and performance of traditional Chinese opera maintained a stable trajectory.The performances of over 20 opera showcases throughout the year have gradually moved towards platformization and institutionalization.The training models for opera talents have also progressed towards professionalization and normalization.Significant achievements have been made in the development of traditional Chinese opera as an academic discipline and the construction of three major systems,with Mei Lanfang studies emerging as a key growth area.In terms of opera repertoire creation and performance,small theaters have achieved substantial impact,traditional themes have been revitalized with new interpretations,and the adaptation of classic traditional theatrical pieces and excerpts has stood out as a highlight of the year.Industry hotspots for the year included the concept of"breaking boundaries in opera"and a focus on"artificial intelligence."The 20th anniversary of the debut of the youth version of The Peony Pavilion provided an opportunity to reflect on innovative development in opera.The"National Nanxi Showcase"fostered connections among ancient theatrical traditions,while the Kunqu opera community explored imperial court opera resources to develop new pathways for classic performances.Immersive performances,however,urgently require standardized and orderly development.

关 键 词：戏曲展演 戏曲创演 行业热点 梅兰芳研究 人才培养 

分 类 号：J82[艺术—戏剧戏曲]