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作 者:刘艳卉[1] Liu Yanhui
机构地区:[1]上海戏剧学院
出 处:《四川戏剧》2025年第2期75-80,共6页Sichuan Drama
基 金:2022年度国家社科基金艺术学重大项目“中国话剧编剧学理论研究”(项目编号:22ZD07)的研究成果;上海市东方英才计划、上海市人工智能赋能学科跃升计划项目资助。
摘 要:人工智能融入编剧,并不意味着剧作者的主体地位受到动摇。这种人机协作的新编剧模式,必将催生新的编剧思维与创作习惯,因此,探索新形势下的编剧理论和策略十分必要。通过实践研究发现,在人工智能辅助编剧实践的过程中,应该结合大模型创作的优势与不足,注意建立结构化的创作思维,做到提示语清晰、具体、规范,及时介入基本构思、人物设定、分幕大纲各阶段,同时培养识别和修改剧本的能力。这样,才能更好地推动人工智能在编剧领域的创新发展。The integration of artificial intelligence into screenwriting does not imply a weakening of the writer's central role.This new model of human-machine collaboration in screenwriting is bound to give rise to new ways of thinking and creative habits.Therefore,it is essential to explore screenwriting theories and strategies under this new paradigm.Through practical research,it has been found that during the process of AI-assisted screenwriting,it is crucial to combine the strengths and limitations of large models,establish a structured creative mindset,and ensure that prompts are clear,specific,and standardized.Writers should also intervene at key stages such as basic conceptualization,character development,and act outlines,while cultivating the ability to identify and revise scripts.By doing so,the innovative development of artificial intelligence in the field of screenwriting can be better promoted.
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