共情传播视域下合拍纪录片讲好中国故事的路径探析——以《世界遗产漫步》为例  

Analysis on the Path of Effectively Conveying China's Story in Co-produced Documentaries from the Perspective of Empathy Communication:A Case Study of Walking Through World Heritage

作　　者：侯小天 王庆福[1] Hou Xiaotian;Wang Qingfu

机构地区：[1]上海外国语大学新闻传播学院

出　　处：《四川戏剧》2025年第2期114-118,共5页Sichuan Drama

基　　金：2023年度国家广播电视总局社科研究项目“新时代国际合拍纪录片展现可信、可爱、可敬中国形象创作研究”(项目编号:GD2308)的研究成果。

摘　　要：合拍纪录片是跨文化讲好中国故事的重要路径之一,但是单纯的内容共创无法深入到话语的共通,需要一种事关人类共同情感的共情传播来化解传播困境。中日合拍纪录片《世界遗产漫步》充分发挥共情传播在跨文化对话中的重要作用,在叙述主体、话语主题、意义建构等层面实现了讲好中国故事的创新表达。未来合拍纪录片讲述中国故事也应以共情传播为切入点,以夯实共情基础、注重共情特征、重构共情话语等手段,推动中国故事的全球传播。Co-produced documentaries constitute a pivotal avenue for effectively communicating China's story across cultures.Nevertheless,mere content collaboration does not suffice to delve into the shared discourse,necessitating empathy communication grounded in human universal emotions to address communication challenges.The Sino-Japanese co-produced documentary Walking Through World Heritage exemplifies the crucial role of empathy communication in cross-cultural dialogue,achieving innovative expressions in narrating China's story at the levels of narrative subject,discourse theme,and meaning construction.For future co-produced documentaries aiming to tell China's story,empathy communication should serve as the starting point,utilizing strategies such as strengthening the foundation of empathy,highlighting empathy characteristics,and reconstructing empathy discourse,to facilitate the global dissemination of China's narrative.

关 键 词：中国故事 共情传播 跨文化传播 《世界遗产漫步》 

分 类 号：J952[艺术—电影电视艺术]