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作 者:单小曦[1] Shan Xiaoxi(School of Humanities and Research Institute of Literary and Art Criticism,Hangzhou Normal University,Hangzhou 310038)
机构地区:[1]杭州师范大学人文学院、文艺批评研究院,杭州311121
出 处:《浙江社会科学》2025年第4期127-137,F0003,共12页Zhejiang Social Sciences
基 金:国家社科基金重大项目“中国新媒介文艺研究”(18ZDA282);国家社科基金一般项目“新媒介文艺的‘中国图像’研究”(22BZW196)阶段性成果。
摘 要:“话语网络”对应的是文论话语生成的“构型”机制和生产逻辑。借鉴福柯的“知识型”和基特勒的“话语网络”研究,可以将文论话语网络视为一个时代参与文论话语意义生产的媒介系统或网络整体性运作机制。1978年以来的当代中国文论领域,主要存在着书写—印刷话语网络和数字话语网络两大话语网络。当代中国文论的十多种代表性文论话语都以书写—印刷话语网络为构型“主导”,形成了客观物质实体性文本、条块分割的文艺与文论话语交流方式,现代性和建设性后现代性文论话语范式得以构建。新媒介文论话语以数字话语网络为“主导”,生产出了非实体性的数字文本、网络交互界面、灵活和互动性更强的数字化传播平台,而这一切正在推动中国新媒介文论走向数字现代性的文论话语范式。The“discourse network”corresponds to the formation mechanism and production logic of how literary theory discourses are generated.Concerning Foucault’s study of“episteme”and Kittler’s study of“discourse network”,discourse network of literary theory can be seen as the media system or integral network operation mechanism of certain era that participates in meaning production of literary theory.There have been two main discourse networks in the field of Contemporary Chinese literary theory since 1978,which are writing-printing discourse network and digital discourse network.More than ten representative contemporary Chinese literary theory discourses are led by writing-printing discourse network in terms of their formation,and this forms materially objective substantial texts,and compartmentalized communication mode between literature and literary theory discourse.Thus,modern and constructive post-modern literary theory discourse can be constructed.However,new media literary theory discourse is led by digital discourse network,and produces non-substantial digital texts,network interaction interfaces,and digital communication platforms which are flexible and more interactive.And all of this is promoting Chinese new media literary theory discourse into the literary discourse paradigm of digital modernity.
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