比较文学视野中的《三座山》巴·孟和巴雅尔蒙  

Three Mountains in the Perspective of Comparative Literature

作　　者：巴·孟和巴雅尔 B.Munkhbayar(Institute of Language and Literature,Mongolian Academy of Social Sciences)

机构地区：[1]蒙古国社会科学院语言文学研究所

出　　处：《内蒙古社会科学(蒙文版)》2025年第1期76-86,163,共12页Social Sciences of Inner Mongolia:Mongolian Edition

摘　　要：从戏剧冲突及其解决方式、主题和情节、结构布局、人物形象、语言描写以及思想情感六个方面对达·纳楚克道尔基的原创歌剧《三座山》(1934)、呈·达木丁苏伦改编的歌剧《三座山》(1942)以及京剧《三座山》(1956)进行比较研究发现,三部作品因为受时代、社会观念和社会发展的影响而表现出一定的差异性,但又存在一定的共性。歌剧《三座山》和京剧《三座山》根据达·纳楚克道尔基的歌剧《三座山》改编而成,这两部作品在结构布局、情节设置和人物对话等方面有所创新,以适应现代社会与时代精神。三部戏剧对其所处时代都具有启蒙、教导、推动社会思想发展的作用。A comparative study of the opera Three Mountains(1934)written by D.Natsagdorj,the opera Three Mountains(1942)adapted by Ts.Damdinsurung,and the Peking opera Three Mountains(1956)from six aspects,including dramatic conflict,the way to resolve dramatic conflict,plot theme and thought,structure and layout,image and language description,and emotion,found that the three works were different in terms of being influenced by the times,social concepts and social development,but they also had certain commonalities.The opera Three Mountains(1942)and the Peking Opera Three Mountains(1956)were adapted from D.Natsagdorjs opera Three Mountains.These two works made great efforts to innovate in the original structure and layout,plot setting,character language description,etc.,so as to adapt them to modern society and the spirit of the times.This is their important achievement.The three works fully played the role of enlightenment,teaching and promoting development in their respective times.

关 键 词：《三座山》 歌剧 京剧 文学关系 

分 类 号：I106.4[文学—世界文学]