从自然书写到主体性建构——《看不见的力量》文化符号学阐释  

From Natural Writing to Subjective Construction——Interpretation of Cultural Semiotics in The Invisible Power

作　　者：孙宁 SUN Ning(School of Chinese Language,Literature and History,Shaanxi University of Technology,Hanzhong 723000,Shaanxi)

机构地区：[1]陕西理工大学人文学院,陕西汉中723000

出　　处：《陕西理工大学学报(社会科学版)》2025年第2期16-21,65,共7页Journal of Shaanxi University of Technology(Social Science)

基　　金：陕西省社会科学基金项目(2021H022)。

摘　　要：冯北仲的最新长篇小说《看不见的力量》通过儿童白胖豆与八哥小黑的故事,以隐喻和象征的手法,完成了关于人与物、人与自然、生与死、善与恶等宏大主题叙事,书写了一部儿童的精神成长史,凸显了来自自然万物、地域风情、民族精神、文化记忆对个体内心成长所呈现的隐秘而又强大的塑造力量。以洛特曼为代表的文化符号学认为符号形成文本、文本形成文化、文化形成符号圈并在对话中实现文化的传承与创新。基于文化符号学的理论视角,从地域空间的符号化表征、人物对话的隐喻性表达和个体生命的主体性建构入手,剖析《看不见的力量》中丰富的文化内涵,阐释作品从自然书写到主体性建构的逻辑理路,彰显作者关于生存原初的哲学反思和对个体生命意义探寻的诗性表达。Feng Beizhong’s latest novel The Invisible Power uses metaphors and symbolic techniques to narrate grand themes such as people and things,people and nature,life and death,good and evil,through the story of children Bai Pangdou and his myna.It writes a history of children’s spiritual growth,highlighting the hidden and powerful shaping power of natural things,regional customs,national spirit,and cultural memory on individual inner growth.Cultural semiotics,represented by Lotman,believes that symbols form texts,texts form cultures,cultures form symbol circles,and cultural inheritance and innovation are achieved through dialogue.Based on the theoretical perspective of cultural semiotics,starting from the symbolic representation of regional space,metaphorical expression of character dialogue,and spiritual construction of the subject,this paper analyzes the rich cultural connotations of“Invisible Forces”,explains the logical path from natural writing to subjective construction,and highlights the author’s philosophical reflection on the origin of existence and poetic expression of exploring the meaning of individual life.

关 键 词：《看不见的力量》 文化符号学 文化记忆 隐喻 

分 类 号：I206.7[文学—中国文学]