唱响对自然的赞歌——论阿来诗歌的审美建构  

A Paean Sung of Nature by Looking into the Aesthetic Construction of Alai’s Poems

作　　者：杨紫涵 Yang Zihan

机构地区：[1]天水师范学院,甘肃天水741001

出　　处：《阿坝师范学院学报》2025年第1期96-101,共6页Journal of Aba Teachers University

摘　　要：阿来于20世纪80年代开始文学创作,其早期创作以诗歌为主。阿来的诗歌语言纯净自然,诗歌意象具有强烈的自然性,嘉绒大地的山峦河流、森林草原都是他的词库。其诗歌行吟者的抒情形象更是体现了阿来诗歌鲜明的行走性和吟唱性。而其诗歌的题材特点,主要表现为藏地书写,表达了对嘉绒大地的拳拳赤子之心。诗歌方面的创作为阿来后来在小说创作上的成功奠定了基础。Since 1980s,Alai has taken to literary creations.Most of his early works were poems.Pureness and naturalness feature Alai’s poetic language.Poetic images have strong naturalness.The Gyalrongic Zang land like rivers,mountains,woods and grasslands are his lexicon.The lyric images embodied in Alai’s minstrel poetry have a nature of rovering and chanting.Themes of Alai’s poems are characterized with the Zang regions writing,giving full play to his sincere and wholehearted devotion to the Gyalrongic Zang land.Accumulative writing in poetry has laid the groundwork for Alai’s fruitful novel creations.

关 键 词：阿来诗歌 审美建构 自然意象 行吟者形象 藏地书写 

分 类 号：I206.7[文学—中国文学]