理学思想与黄宗羲的文学批评  

Neo-Confucian Thoughts and Huang Zongxi’s Literary Criticism

作　　者：姜晓娟 JIANG Xiaojuan(School of Literature,Bohai University,Jinzhou 121013,China)

机构地区：[1]渤海大学文学院,辽宁锦州121013

出　　处：《宁波大学学报(人文科学版)》2025年第3期70-81,共12页Journal of Ningbo University:Liberal Arts Edition

基　　金：国家社会科学基金重点项目“明清理学文论研究”(19AZD03)。

摘　　要：黄宗羲文论观继承了理学思想,又有突破和创新。针对以往道学、儒林、文苑分野的情况,黄宗羲希望通过“崇经重道”,将“文”“道”“学”三者合一,致力推动文章写作回归经典范式,消弭长期存在的文与道界限。黄宗羲的文学情感论受王阳明“心本体”思想影响,取朱子思想中“道问学”,要求广博阅读儒家经典,强调“学贵自得”。他肯定人自然情感的合理性,要求诗文抒发作者“真性情”。黄宗羲的诗文创作论,推动了清初文学价值观转型,开启有清一代经世致用文章观的先声。Huang Zongxi’s literary theory view inherits the Neo-Confucian ideology while also making breakthroughs and innovations.In response to the traditional separation between Daoist learning,Confucian scholarship,and literary circles,Huang Zongxi hoped to integrate“literature”“Dao”and“learning”through the concept of“valuing the classics and emphasizing the Dao”.He committed to promoting the return of article writing to the classic paradigm and eliminating the long-standing boundary between literature and moral philosophy.Huang’s theory of literary emotion was deeply influenced by Wang Yangming’s concept of the“the mind as the fundamental entity”.He adopted the concept of“seeking learning through inquiry”from Zhuxi.He required extensive reading of Confucian classics and emphasized that“learning is valuable when one gains true understanding by oneself”.He affirmed the rationality of people’s natural emotions and demanded that poems and essays express the author’s“true feelings”.Huang Zongxi’s theory of poetry and essay creation promoted the transformation of literary values in the early Qing Dynasty and heralded the emergence of the view of writing for practical application throughout the Qing Dynasty.

关 键 词：黄宗羲 文道合一 心本体 情至为宗 经世致用 

分 类 号：B249.3[哲学宗教—中国哲学]