《五号屠场》对战争创伤的后现代书写  

The Postmodern Writing of War Trauma in Slaughterhouse Five

作　　者：胡作友[1] 卢逸凡 HU Zuoyou;LU Yifan(School of Foreign Studies,Hefei University of Technology,Hefei 230601,China)

机构地区：[1]合肥工业大学外国语学院,安徽合肥230601

出　　处：《广东石油化工学院学报》2025年第2期35-41,共7页Journal of Guangdong University of Petrochemical Technology

基　　金：国家社会科学基金项目(17BYY061,24AWW006)。

摘　　要：美国著名作家库尔特·冯内古特的《五号屠场》因时空交错的叙事、文本与潜文本的并置以及语言与叙事层面的留白而一举成为后现代文学代表作。时空交错的叙事使过去、现在与未来相互交织,形成独特的叙事时间,使真实的战争场景与虚幻的星空旅行相互切换,真假难辨,从侧面展现了战争的残酷;文本与潜文本的并置使公开的灾难场景与隐藏的内心痛苦形成鲜明对照,揭露了战争造成的破坏性后果;语言与叙事层面的留白使故事情节如万花筒般的碎片一样拼凑起来,将读者置于无限想象的空间,从而间接地参与艺术作品的再创作,更深刻地体验战争带来的深重灾难。上述创作技巧为后现代小说赋予了更深层次的意义和表达方式,使读者体验到更丰富、更开放的文学魅力。The famous American writer Kurt Vonnegut's Slaughterhouse Five has become a representative work of postmodern literature due to its intertwined narrative,juxtaposition of text and subtext,and blank spaces in language and narrative.The intertwined narrative of time and space interweaves the past,present,and future,forming a unique narrative time,switching between real war scenes and illusory starry journeys,making it difficult to distinguish between true and false,revealing the cruelty of war from a side view.The juxtaposition of text and subtext creates a stark contrast between open disaster scenes and hidden inner pain,revealing the destructive consequences of war.The blank spaces at the language and narrative levels make the story plots piece together like a kaleidoscope of fragments,placing readers in an infinite space of imagination,indirectly participating in the recreation of art works,and experiencing more deeply the profound disasters brought about by war.The above-mentioned techniques endow postmodern novels with deeper meaning and expression,allowing readers to experience a richer and more open literary charm.

关 键 词：五号屠场 时空交错 文本与潜文本 留白 后现代书写 

分 类 号：I106[文学—世界文学]