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作 者:简圣宇 JIAN Sheng-yu
机构地区:[1]扬州大学美术与设计学院
出 处:《学习与探索》2025年第4期147-155,176,共10页Study & Exploration
基 金:国家社会科学基金一般项目“中国传统意象理论的现代阐释研究”(20BZX131)。
摘 要:中国传统意象理论的现代阐释的工作具有相应的学理难度。传统意象理论是基于彼时社会意识形态、知识结构、审美心理等的文化土壤而产生和发展的,其在理念、思维、用语等方面会跟当下语境构成一定程度的冲突。推动此项工作时既不能仅仅依循传统的框架做“注释性阐释”,也不应在进行“创新性阐释”时过于标新立异而导致缺乏学界共识,而应该秉承“守正创新”的原则,考虑时代语境变迁的因素,依循传统审美理念的发展脉络和借助现代美学学科研究范式,寻求对传统意象理论的适当阐释路径。The modern interpretation of traditional Chinese imagery(Yixiang)theory poses corresponding academic difficulties.Traditional imagery theory emerged and developed based on the limitations of social ideology,knowledge structure,aesthetic psychology,and other factors at that time.It may conflict to a certain extent with the current context in terms of ideas,thinking,and language.When promoting this work,we should not only follow the traditional framework for“explanatory interpretation”,nor should we be too innovative in“innovative interpretation”,which leads to a lack of academic consensus.Instead,we should adhere to the principle of“upholding fundamental principles and breaking new ground”,consider the factors of the changing context of the times,follow the development trend of traditional aesthetic concepts,and seek an appropriate interpretation path of traditional imagery theory with the help of modern aesthetic research paradigms.
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