基于解构主义理论的陵阳公样创新设计研究  

Research on the Innovative Design of Duke Lingyang’s Patterns Based on Deconstruction Theory

作　　者：高兰英[1] 李欣泽 GAO Lanying;LI Xinze(Inner Mongolia University of Science and Technology,014010 Baotou,Inner Mongolia)

机构地区：[1]内蒙古科技大学,内蒙古包头014010

出　　处：《设计艺术研究》2025年第1期10-14,28,共6页Design Research

基　　金：2023年度内蒙古自治区研究生精品课程建设项目(JP20231042);2023年度内蒙古自治区研究生教育教学改革研究项目(JGSZ2023036)。

摘　　要：以解构主义理论为指导,梳理陵阳公样的艺术特征和文化内涵,探索陵阳公样创新设计的新思路,更好地服务于传统纹样的创造性转化与创新性发展。将陵阳公样的创新设计分为核心观念、色彩归纳、解构与重构、实践应用四部分,通过解构主义设计手法,提取陵阳公样的视觉符号并结合创新设计实践,促成中国传统纹样与西方设计思想的交融互鉴。基于解构主义理论研究陵阳公样视觉元素符号,更加全面地归纳陵阳公样的图案艺术风格,从艺术特征与文化内涵中凝练视觉符号,将传统与当代、东方与西方的审美特征相结合,为视觉符号赋予趣味性、识别性、文化性,从而弘扬中华优秀传统文化。Guided by the theory of deconstructionism,this study aims to clarify the artistic characteristics and cultural connotations of Duke Lingyang’s patterns,explore new ideas for innovative design,and better serve the creative transformation and innovative development of traditional patterns.It is divided into four parts:core concepts,color induction,deconstruction and reconstruction,and practical application.Through deconstructive design techniques,the visual symbols of the Lingyang patterns are extracted and combined with innovative design practices to promote the integration and mutual learning of traditional Chinese patterns and Western design ideas.Based on the theory of deconstructionism,this study aims to comprehensively summarize the visual elements and symbols of the Lingyang style,and to condense the visual symbols from artistic features and cultural connotations.By combining traditional and contemporary,Eastern and Western aesthetic features,the visual symbols are endowed with fun,identity,and cultural signifi cance,thus promoting the excellent traditional Chinese culture.

关 键 词：解构主义理论 陵阳公样 创新设计 

分 类 号：J0[艺术—艺术理论]