礼乐与工序:中华三礼中的工匠造物秩序范式研究  

Rites,Music and Production Procedures:on the Artifact Making Order Paradigm of Craftsmen in Three Classics of Rites

作　　者：石琳 SHI Lin(Shandong university of art and design,250300 Jinan Shandong)

机构地区：[1]山东工艺美术学院,山东济南250300

出　　处：《设计艺术研究》2025年第1期159-163,共5页Design Research

基　　金：2022年度国家社会科学基金艺术学一般项目(22BG109)。

摘　　要：三礼作为中华文化源头《易》《礼》体系的核心著作,其中包含了大量关于工匠、技术、制度的相关内容,为我们系统了解先秦造物设计提供了依据。基于此,从设计伦理视角,从“法式”“工序”“监督”几个方面梳理工匠造物的秩序范式。工匠造物经历了前期礼乐制度与方圆平直技术制度的规训,中期工匠运用身体器官感知与规矩绳墨等工具的检校,后期“工师效功”“物勒工名”式的检验追查过程。中华工匠造物过程总体呈现出礼乐等制度规训下,工匠凭借经验,依靠身体技术与工具技术,实现制器造物的“悟性技术”的特性。Three Classics of Rites,as the key works of the system of The Books of Changes and The Rites of Zhou Dynasty which is considered the origin of Chinese civilization,covers a wealth of materials on craftsmen,technique and institutions,providing us with a systematic understanding of the artifact making design of the Pre-Qin period.The order formats of artifact making are researched from three aspects of institutions,production procedures and supervision within the design ethics framework.It is found that there exist three stages in the process of artifact making,listed as the rites and music rules as well as the technical regulations on squareness and straightness in the early stage,the inspections of the craftsmen using sensory perception and various tools such as rulers and compasses in the middle stage,and the late-stage tests and traceability through"mastering craftsman's effectiveness"and"marking craftsman's names."To conclude,the overall process of Chinese craft production is characterized by the nature of"intuitive technique"in artifact making,where craftsmen rely on experience and utilize both physical skills and tool technique under the discipline of rites,music and other institutional system.

关 键 词：三礼 工匠 造物 工序 设计伦理 

分 类 号：J5[艺术—艺术设计]