论狄更斯小说中的凝视叙事  

On Dickens'Gaze Aesthetics

作　　者：蔡熙 CAI Xi

机构地区：[1]湘潭大学文学与新闻学院

出　　处：《国外文学》2025年第1期141-149,共9页Foreign Literatures

基　　金：湖南省哲学社会科学基金“学术湖南”精品培育项目“西方文论中的中国元素研究”的阶段性成果。

摘　　要：早在19世纪中期,狄更斯在其小说中就对“凝视”现象作了生动描绘。狄更斯笔下的“凝视”与一般的视觉状态不同,它具有双向性,不仅涉及观看者与被看者,也涉及看与被看之间的观看行为,呈现了看与被看的互动关系。狄更斯的凝视叙事与当代凝视美学相距百年的对话,一方面为我们审视经典作家狄更斯的凝视叙事提供了一扇特殊的视窗,另一方面亦以创造性的方式回应着凝视美学研究中的基本难题,为我们构建凝视美学理论提供了重要的文本个案和资料来源。As early as the mid-19th century,Dickens vividly portrayedd"gaze"in his novels.Dickens's"gaze"is different from a description of the usual long and steady look.It is a two-way interaction,involving not only the viewers,but also the behavior of seeing and being seen,an interaction between seeing and being seen.The dialogue between Dickens'gaze narrative and contemporary gaze aesthetics provides a special window for us to examine Dickens'gaze narrative,and it also responds creatively to the basic problems in gaze aesthetics and provides important textual cases and sources of information for us to construct gaze aesthetics.

关 键 词：狄更斯 凝视 凝视叙事 视觉性 

分 类 号：I106.4[文学—世界文学]