二十世纪三十年代《时代漫画》中的摩登世相与道德批判  

Modern Social Phenomena and Moral Critique in Modern Miscellany of the 1930s

作　　者：成藻 CHENG Zao(Jinling Institute of Technology,Nanjing 211169,China)

机构地区：[1]金陵科技学院动漫学院,江苏南京211169

出　　处：《金陵科技学院学报(社会科学版)》2025年第1期66-76,共11页Journal of Jinling Institute of Technology(Social Sciences Edition)

摘　　要：二十世纪三十年代,以上海为代表的大都市的城市化发展到了前所未有的程度。在新感觉派、感官主义盛行的上海,“摩登”作为一个鲜明的图像符号,蕴含着家庭伦理、两性伦理、女权主义觉醒等复杂主题,也成为商业化、市井化与俗文化的代名词。作为国内办刊较早、影响较大的漫画杂志,《时代漫画》对当时的摩登女郎形象展现得具体而鲜活,作品反映出的摩登众生相、新旧道德冲突以及漫画家对女性婚恋、家庭伦理、摩登文化背后的道德批判,构成了整本杂志乃至三十年代中国都市文化完整、生动的伦理样本,也成为今日看待中国漫画史、艺术伦理史的全新视角。During the 1930s,the metropolis symbolized by Shanghai reached an unprecedented level of urbanization Shanghai,where neo-sensationalism and sensualism prevailed.The term“modern”emerged as a distinct cultural graphic symbol that encapsulated complex social themes such as family ethics,gender relation ethics,feminist awakening,and others,while also becoming synonymous with increased commercialization,urban vulgarity,and“lowbrow culture”.As one of China s earliest and most influential comic publications,Modern Miscellany conveyed the image of modern girls at that time in a concrete and vivid way.The magazine s portrayals of modern social phenomena,conflicts between old and new moral values,as well as cartoonists commentaries on female marriage concepts,family ethics,and moral critiques behind modern culture,collectively constitute a complete and vivid ethical specimen both for the study of the whole magazine and for Chinese urban culture in 1930s,and provide fresh perspectives for contemporary studies on the history of Chinese comics and that of artistic ethics.

关 键 词：《时代漫画》 摩登世相 道德批判 

分 类 号：J218[艺术—美术] K26[历史地理—历史学]