虚实时空的反衬化效应——夏目漱石文学中近代“多余人”的梦境叙事  

Contrast Effect between Virtual and Actual Space-time:The Dream Narrative of Modern'Superfluous People'in Natsume Souseki's Literature

作　　者：陈雪[1] Chen Xue(School of Foreign Languages,Anhui University,Hefei,Anhui,230601,China)

机构地区：[1]安徽大学外语学院,安徽合肥230601

出　　处：《牡丹江师范学院学报(社会科学版)》2025年第2期46-53,共8页Journal of Mudanjiang Normal University(Social Sciences Edition)

基　　金：国家社会科学基金一般项目“夏目漱石文学叙事形态的现代转型研究”(16BWW027);高校省级优秀青年人才基金重点项目“夏目漱石小说中的梦境叙事艺术研究”(2012SQRW015ZD)。

摘　　要：夏目漱石在小说《三四郎》《从此以后》中通过梦境叙事表现近代“多余人”沉浸于非现实精神世界的状态,梦境的“自我”可谓是其心理现实的映照。梦境叙事中通过心理时空的构筑,展现人物对于绝对境界的向往。两部小说通过梦与现实的交错叙事,生成虚实时空之间的反衬化效应。由于作品蕴含虚实时空的矛盾冲突,从而完整地展示出近代“多余人”的内涵,即面对现实时难以将理想付诸于行动的“妥协性”气质,且对应于“近代性”的文化语境,对时代性主题构建具有重要的叙事效果。In novels"Sanshiro"and"solekala",Natume Souseki describes the spiritual world of"superfluous men"through dream narrative.The"self"that appears in dreams serves as a reflection of one's psychological reality.Through constructing psychological space-time,dream narrative shows the pursuit of absolute realm.In these two novels,narrative intertwined between dream and reality corresponds to two spaces of virtual and actual space.Due to the inherent contradictions and conflicts between reality and time in the work,it fully displays the temperament and connotation of the"superfluous men"in modern times,that is,the"compromising"temperament that makes it difficult to put ideals into action when facing reality.Corresponding to the cultural context of"modernity",it has an important narrative effect on the construction of contemporary themes.

关 键 词：梦境叙事 “多余人” 夏目漱石 虚实时空 反衬化效应 

分 类 号：I106.4[文学—世界文学]