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作 者:刘彦青[1] LIU Yan-qing
出 处:《陕西师范大学学报(哲学社会科学版)》2025年第2期119-129,共11页Journal of Shaanxi Normal University(Philosophy and Social Sciences Edition)
基 金:国家社会科学基金后期资助项目“《史记》十二本纪文本生成研究”(21FZWB030);陕西省社会科学基金项目“《史记》秦史建构与历史书写研究”(2024H012)。
摘 要:随着汉籍的东传,隋唐时期《史记》逐渐对日本文学产生深刻的影响。日本最早的汉诗集《怀风藻》已有引用《史记》典故,平安时期“敕撰三集”对《史记》人物故事的接受更为频繁,江户时期达到了鼎盛。明治维新以后随着汉诗创作的衰微,对《史记》的接受也逐渐减少。日本汉诗对《史记》人物故事的接受根据题材可分为咏史、怀古、咏物、咏怀等类型,达到了较高的艺术成就。这些诗作中,悲剧性与隐逸性人物主题最具代表,江户时期的诗人诗作艺术成就最高,家族性的接受群体最有特色。日本汉诗对《史记》人物故事的接受既丰富了其创作主题,提升了诗歌艺术成就,也进一步推进了《史记》的传播,深化了研究内容,是中日文化交流中的优秀成果,有重要的学术与文化价值。During the Sui and Tang Dynasties,as Chinese classics were transmitted to the East,The Historical Records gradually exerted a profound influence on Japanese society.The earliest collection of Chinese poetry in Japan,Huai fengzao,has quoted the allusions of The Historical Records.During the Ping’an period,the“Three Volumes Composed with Order of the Emperor”accepted The Historical Records more frequently.It flourished during the Edo period.After the Meiji Restoration,with the decline of Chinese poetry creation,the acceptance of The Historical Records also decreased.In Japanese Chinese poetry,The Historical Records poetry can be divided into themes such as chanting history,nostalgia,chanting things and chanting nostalgia,achieving a high level of artistic accomplishment.Among these poems,the themes of tragic and reclusive figures are the most representative,with the poets of the Edo period reaching the highest artistic achievements,and the familial groups of recipients being the most distinctive.The acceptance of The Historical Records by Japanese Chinese poetry not only enriches its creative theme,improves the quality of poetry,but also further promotes the dissemination of The Historical Records and deepens the research content.The acceptance of The Historical Records by Japanese Chinese poetry is an excellent achievement in the cultural exchange between China and Japan and has important academic and cultural value.
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