论《琵琶记弹词十三回》对《琵琶记》的变异  

On the Variations of Pipa Ji in Thirteen Chapters of Pipa Ji Tanci

作　　者：庄婷妍 ZHUANG Tingyan(School of Humanities,Wenzhou University,Wenzhou 325035,China)

机构地区：[1]温州大学人文学院,浙江温州325035

出　　处：《苏州教育学院学报》2025年第2期95-101,共7页Journal of Suzhou College of Education

基　　金：温州大学2023年研究生创新基金项目(3162023003027)。

摘　　要：《琵琶记弹词十三回》为代言体弹词,改编自南戏《琵琶记》。它通过删减、合并原作出目的方式调整了整体结构,又对原作故事情节进行了简化、增添与改写。此外,《琵琶记弹词十三回》还将中心人物由蔡伯喈变为了赵五娘,在接受南戏原作“关风化”主题的基础上,体现了“弹唱因缘”的特色。Thirteen Chapters of Pipa Ji Tanci,an indirect narrative Tanci,is adapted from the Southern Drama Pipa Ji.It adjusts the overall structure by abbreviating and merging the original work’s objectives,and it simplifies,adds to,and rewrites the original plot.Additionally,Thirteen Chapters of Pipa Ji Tanci shifts the focus from Cai Bojie to Zhao Wuniang as the central character.While accepting the original Southern Drama’s theme of“relating to social ethics”,it embodies the characteristic of“ballad singing affinity”.

关 键 词：《琵琶记弹词十三回》 《琵琶记》 南戏 弹词 变异 

分 类 号：I239.1[文学—中国文学] I207.37