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作 者:白姗姗[1] Bai Shanshan(the School of Journalism and Communication at Northwest Minzu University,Lanzhou 730000,Gansu Province,China)
机构地区:[1]西北民族大学新闻传播学院,甘肃省兰州市730000
出 处:《文艺理论研究》2025年第1期181-190,共10页Theoretical Studies in Literature and Art
基 金:西北民族大学中央高校基本科研业务费项目“移动互联网实践中城乡间传播权力的流动与重构”[项目编号:31920190148]的阶段性成果。
摘 要:冗余概念衍生于信息论,但信息论中对意义问题的搁置,使冗余在文本意义传播中的重要作用难以被厘清。本文从符号学的角度出发,将冗余分为文本内冗余与文本外冗余。文本内冗余主要以自携元语言指示符、接触性符号以及作为应对符号学噪音的内置性冗余的形式出现;文本外冗余则发挥了文本体裁确定、亚文化风格表征以及标出性翻转的势能等作用。冗余作为意义解释与时间向度上的组织形式,为文本的解释提供了索引,保证了文本解释过程中不同意义的同一性,为社群内达成广泛的共识提供了足够的意义基础。The concept of redundancy is derived from information theory.However,as the question of significance is suspended in information theory,the important role of redundancy in communicating the textual meaning is hardly elaborated.From the perspective of semiotics,redundancy can be divided into in-text redundancy and out-of-text redundancy.In-text redundancy mainly unfolds in such forms as the indicator of intrinsic metalanguage,phatic symbols,and the built-in redundancy as a response to semiotics noise.Out-of-text redundancy primarily serves as genre determination,subcultural style representation,and conversion of markedness.Redundancy,as an organizational form of meaning interpretation in the dimension of temporality,provides index for the interpretation of the text,guarantees the coherence of different meanings in the process of text interpretation,and offers solid foundation of significance for a broad consensus within the community.
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