银胎画珐琅釉彩发展研究及釉彩基因库构建  

Research on the development of silver-based painted enamel glazes and the construction of a glaze gene bank

作　　者：杨宝颐 宋艳芳 Yang Baoyi;Song Yanfang(School of Design,Yunnan Arts University,Kunming 650000,China)

机构地区：[1]云南艺术学院设计学院,云南昆明650000

出　　处：《纺织报告》2025年第3期143-145,共3页

基　　金：2022年度云南省教育厅科学研究基金项目“银胎珐琅釉彩在工笔花鸟画中的色彩复原试验与现代设计转译”(2022Y676)。

摘　　要：银胎画珐琅是珐琅工艺中画珐琅的重要分支,源于15世纪的西欧法国,后于16世纪传入中国广州,逐渐发展成与景泰蓝并驾齐驱的中国传统珐琅工艺瑰宝。其以高质量、精确、华丽和稀有著称,代表了传统手工艺的最高水平。然而,受限于社会生产能力、审美变迁及工艺自身的技术壁垒,银胎画珐琅在现代社会面临诸多挑战。文章以银胎画珐琅釉彩为研究对象,通过研究画珐琅的起源与发展、银胎画珐琅工艺特点及艺术风格,结合当下珐琅釉彩技术的发展,从珐琅工艺色彩根源出发,提出构建银胎画珐琅色彩基因库的现实依据与构建逻辑,为银胎画珐琅的现代设计提供转化方向。Silver-based painted enamel,as a significant branch of painted enamel craftsmanship,originated in Western Europe in the 15th century and was later introduced to Guangzhou,China in the 16th century.Over time,it evolved into a traditional Chinese enamel treasure,standing alongside Cloisonne in prestige.Renowned for its superior quality,exquisite craftsmanship,ornate decoration,and rarity,it represents the pinnacle of traditional artistry.However,constrained by societal production capabilities,shifting aesthetic preferences,and the inherent technical barriers of the craft,the development of silver-based painted enamel faces numerous challenges in the modern society.This paper focuses on the glaze colors of silver-based painted enamel as the research subject.By examining the origins and evolution of painted enamel,the technical characteristics and artistic styles of silver-based painted enamel,and integrating contemporary advancements in enamel glaze technology,it explores the foundational aspects of enamel craftsmanship from a color perspective,proposes the practical basis and logical framework for constructing a color gene bank for silver-based painted enamel,offering a transformative direction for its modern design.

关 键 词：银胎画珐琅 珐琅釉彩 色彩设计 

分 类 号：J063[艺术—艺术理论]