日常中的隐痛与“冷漠”里的温情——黎紫书微型小说的都市书写  

Hidden Pain in Daily Life and Warmth in Indifference:The Urban Writing in Li Zishu’s Microfictions

作　　者：张惠思[1] 纪士欣 Teoh Hooi-See;Ji Shixin

机构地区：[1]马来亚大学中文系

出　　处：《华文文学》2025年第2期62-70,共9页Literatures in Chinese

摘　　要：黎紫书的微型小说大多围绕当代都市生活展开叙事。在《简写》《女王回到城堡》《余生》等小说集中,她用日常生活片段搭建起“无地方性”的表层生存空间,塑造出“无名”的都市人群像。通过对日常生活进行批判性思考,黎紫书尝试剖析都市人的情感世界,在有限的篇幅中拓展微型小说主题书写的多样性,发掘出隐藏在平静日常表象下关乎人情冷暖、个体生存以至文明发展的种种都市病症,小说因而呈现出冷隽轻灵的风格。同时,旁观者叙事视角下“有限”的温情和冷中有暖的故事,印证了黎紫书对待人性只保留“某种程度的乐观”的态度。对都市阅读趣味的迎合,既显示出她在创作观上面对不同区域读者相异的期待视野的矛盾性,也反映出她基于行旅经验的作品在呈现文化深度上的有限性。Most of Li Zishu’s microfictions revolve around contemporary urban life. In her collection of Short stories,such as Write Briefly, The Queen Returns to the Castle and The Rest of Life, she builds up a surface living space of “placelessness” with fragments of daily life and creates the group portrait of “nameless” urbanites. Through critical thinking on daily life, Li tries to analyze the emotional world of urbanites, expanding the diversity of microfiction’s themes in limited writing space, and discovering urban diseases hidden under the calm appearance of daily life, which are related to the warm and cold feelings, the survival of individuals and the development of civilization, and the stories thus present a style of “cool, elegant and implicit”. At the same time, the limited warmth under the bystander narrative perspective and the warmth in the cold story confirmed Li’s attitude towards human nature—one that only retains “a certain degree of optimism”. The appeal to urban reading interests shows the ambivalence of Li’s creative outlook facing the different expectations of readers from different regions, and also reflects the limitations of her works based on travelling experiences in showing cultural depth.

关 键 词：黎紫书 微型小说 日常生活 都市病症 

分 类 号：I106[文学—世界文学]